Photo by Roger Mastrioianni
Sleuth @ Great Lakes Theatre, Feb. 14 to March 8
Review by Laura Kennelly
There’s mystery afoot in the engaging Great Lakes Theatre
production of Sleuth at the Hanna Theatre. Director Charles Fee and the
talented cast create a tour de force of acting chops. These players show what
acting is all about as they create a maddening, confusing world, and then,
having done so, plunge us all into its surprising adventures.
Originally presented as a (Tony-award winning) play, Sleuth,
by Anthony Shaffer, has been around since 1970 and has had three movie
versions. All this seems proof that the story is pretty darn intriguing. (I
don’t know how I missed seeing it, but I did.)
The outstanding principal characters include mystery writer
Andrew Wyke (David Anthony Smith) and his wife’s lover, Milo Tindle (Jeffrey C.
Hawkins). The action begins when Wyke invites Tindle over for a visit to his
country house. All seems friendly and urbane and, over copious drinks, the two
decide to play a game. As Wyke, the beguiling Smith displays psychopathic
gamesmanship at its best. Hawkins plays the fatuous nincompoop Tindle with art
and grace. Somehow, and surprisingly, in the hands of Hawkins and Smith, both
characters are likeable (and confusing).
The country-house set deserves a character credit. Both
balcony and bookcases play vital roles as well as show the whimsical mystery writer's quirks. Bravo to Gage Williams (scenic designer), Jesse Klug
(lighting designer), and Josh Schmidt (sound). Costumes (Esther M. Haberlen)
and makeup (Lee Ernst) also played a memorable part in making this mystery
tick.
Bottom Line:
Don’t want to say much more and spoil this fun show--just
go.
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